Wednesday, January 14, 2015

A00084 - Ruth Popkin, Hadassah Leader

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Ruth Popkin, who led Jewish causes, in an undated photo.CreditHadassah
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Ruth Popkin, who emerged from a secular background to lead two major Jewish organizations, Hadassah and the Jewish National Fund, in work that benefited Israelis and refugees in the 1980s and ’90s, died on Jan. 2 at her home in Manhattan. She was 101.
Her son, Michael, confirmed her death.
Ms. Popkin became involved with Hadassah, or the Women’s Zionist Organization of America, after a friend invited her to a meeting in the 1940s.
“I had been raised in a secular environment, and it was almost like an introduction to Judaism,” she told The New York Times in 1987. “I stayed with it, and within a year I was president of my group.”
Founded in 1912, Hadassah initially worked to provide modern medical care to Palestine. After Hitler was appointed chancellor of Germany in 1933, it began relocating Jewish children from Europe to Palestine.
Ms. Popkin became Hadassah’s president in 1984. During her tenure it had 380,000 members, making it one of the largest women’s volunteer organizations in the world. (It now has 330,000 members, supporters and donors, the group says.)
Under Ms. Popkin, Hadassah helped house and acclimate the first major wave of young Ethiopian Jewish immigrants to Israel as part of Youth Aliyah, a program that had long helped young refugees and impoverished Israeli children. There are now more than 100,000 Ethiopian Jews in the country. Hadassah also raised money to plant 100,000 trees in Israel.
Ms. Popkin was frequently Hadassah’s delegate to the World Zionist Congress, the policy-making body of the World Zionist Organization. In 1987 she served as the Congress’s president.
Her Hadassah presidency ended in 1988, but she continued to serve on the organization’s national board until recent years.
As president of the Jewish National Fund, beginning in 1989, she helped resettle Ethiopian and Russian refugees in Israel and undertook environmental projects, like the redevelopment of the Hula Valley in northern Israel. Her term ended in 1992.
Ruth Willion was born in Brooklyn on June 13, 1913. She studied philosophy at Brooklyn College and worked as an assistant buyer at Stern’s department store before marrying Morris Popkin in 1937. They had three children, one of whom, their daughter Victoria, died in 1969.
Mr. Popkin, who owned two fish markets and later invested in commercial real estate, died in 1978. In addition to her son, she is survived by another daughter, Louise Popkin; and two grandchildren.
Ms. Popkin told The Times that her work with Hadassah had been transformative. “From a timid young housewife,” she said, “it educated me toward understanding and appreciation for my heritage, gave me an education in Zionist history and the development of our Jewish history.”

Tuesday, January 6, 2015

A00083 - Bess Myerson, First Miss America of Jewish Heritage

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Bess Myerson Dies at 90

Bess Myerson Dies at 90

CreditFred R. Conrad/The New York Times
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Bess Myerson, a New York favorite daughter who basked in the public eye for decades — as Miss America in 1945, as a television personality, as a force in public affairs and finally as a player in a shattering municipal scandal — died on Dec. 14 at her home in Santa Monica, Calif. She was 90.
Her death, which occurred in the relative obscurity in which she lived her last years, had not been publicly announced but was confirmed on Monday by public records.
Ms. Myerson was one of a select group of American figures to parlay pop culture celebrity into positions of influence in the public square. She led two New York City agencies, Consumer and Cultural Affairs; advised three presidents; championed social causes; and supported powerful political careers. She also sought one for herself, entering a much-watched primary race for the United States Senate. For a long time she seemed rarely out of the news.
The headlines began the night she walked down the runway at the Warner Theater in Atlantic City, a musically talented daughter of a house painter from the Bronx wearing the most coveted crown in the land — an honor she would come to rue as narrowly defining her.
Her coronation, on Sept. 8, 1945, just days after Japan’s surrender had ended World War II, came at a time when a beauty queen could still capture the nation’s attention and even emerge a heroine — in Ms. Myerson’s case as the first (and, so far, only) Jewish Miss America.
To many Jews, often blamed for the war by anti-Semites, newly traumatized by images of the liberated Nazi death camps and often confronted by that anti-Semitism in their everyday lives, the title seemed an affirmation of some sort of acceptance in America.
“In the Jewish community, she was the most famous pretty girl since Queen Esther,” Susan Dworkin wrote in “Miss America, 1945: Bess Myerson’s Own Story,” published in 1987.
Producers in television’s early days saw her as an obvious choice for a TV career, and they presented her at first as a pitchwoman, a kind of glorified model — statuesque at 5 feet 10 inches with luxuriant brown hair — hawking the sponsor’s products. But her intelligence, self-discipline and wit soon landed her a regular spot on the long-running hit game show “I’ve Got a Secret.”
Years later, her citywide popularity (she had competed in the Miss America pageant as Miss New York City) was one reason Mayor John V. Lindsay named her as the city’s first commissioner of consumer affairs. She seized on the job, succeeding in gaining passage of some of the nation’s toughest consumer-protection laws.
In 1977, she campaigned for Representative Edward I. Koch in his successful race for mayor, her picture often appearing on his posters. Walking hand in hand with him, she did nothing to dismiss speculation that marriage might be in their future while helping to dispel insinuations that Mr. Koch, a bachelor, was gay.
“Koch wouldn’t have won without Bess,” the media consultant David Garth, who worked for both of them at different times, told New York magazine. (Mr. Garth died the day after Ms. Myerson.)
Her accomplishments camouflaged a tumultuous private life. There were two stormy marriages that ended in divorce, a number of romantic liaisons that ended badly, reports of erratic behavior, and arrests for shoplifting.
It all ended in a public implosion, a conflict-of-interest scandal involving a married sewage contractor who did business with the city and his bitter public divorce. It led to bribery allegations, indictments and sullied reputations all around, and it left Ms. Myerson less likely to be admired than to be pitied.
Only Jewish Contestant
Bess Myerson was born in the Bronx on July 16, 1924, the second of three daughters of Louis and Bella Myerson. Besides painting houses, her father was a handyman and carpenter. Ms. Myerson would later describe herself as a substitute for a brother, Joseph, who had died of diphtheria at age 3, leaving her mother embittered.
Bess grew up in the Sholem Aleichem Cooperative Houses in the northwest Bronx, surrounded by artists, poets and novelists. She began piano lessons at age 9 and was accepted as a music major in the second class of the High School of Music and Art, in 1937.
She went on to major in music at Hunter College and graduated with honors in 1945, dreaming of earning a graduate degree in music at Juilliard or Columbia and of buying a Steinway piano, while despairing of money to pay for any of it. She gave piano lessons at 50 cents an hour just to cover the cost of her own lessons.
By Ms. Myerson’s account it was her sister Sylvia who, without her knowledge, entered her photograph in the 1945 Miss New York City contest. In any event Ms. Myerson won it, and it was on to Atlantic City, where for the first time the Miss America pageant was offering the winner a college scholarship — a lure for Ms. Myerson.
Ms. Myerson, the only Jewish contestant, represented more than New York City, her daughter, the actress and screenwriter Barra Grant, said.
“The Jews said, ‘She’s got to win in order to show that we’re not just nameless victims,’ ” Ms. Grant told New York magazine in 1987. “It became more than a beauty contest. The Jews in New Jersey called one another, and they all came to Atlantic City that night.” Ms. Grant co-wrote a television film about her mother’s reign as Miss America.
Ms. Myerson won the bathing suit preliminary contest wearing a white number stretched by her sister to fit her frame. She also won the talent event, playing Gershwin’s “Summertime” on the flute and excerpts from Grieg’s Concerto on the piano.
As the crown was set on her head, the announcer shouted, “Beauty with brains, that’s Miss America of 1945!”
Ms. Grant said: “When my mother walked down the runway, the Jews in the audience broke into a cheer. My mother looked out at them and saw them hug each other, and said to herself, ‘This victory is theirs.’ ”
But their pride was soon tempered by her encounters with anti-Semitism. Few sponsors, it turned out, wanted a Jewish Miss America to endorse their products. Certain country clubs and hotels barred her as she toured the country after the pageant. Appearances were canceled.
“I felt so rejected,” Ms. Myerson once said. “Here I was, chosen to represent American womanhood, and then America treated me like this.”
Cutting the tour short, she returned to New York, where she agreed to embark on a six-month lecture tour for the Anti-Defamation League of B’nai B’rith, speaking out against prejudice with a speech titled “You Can’t Be Beautiful and Hate.”
From TV to Government
Her celebrity got her to Carnegie Hall, where she played Rachmaninoff’s Second Piano Concerto as a guest soloist with the New York Philharmonic. She also tried vaudeville in its waning days, gamely playing “Malaguena” and the “Ritual Fire Dance” for audiences who wanted only to see her in a bathing suit.
In 1946, she married Allan Wayne, a Navy captain whose family was in the toy business. Barbara, her only child, was born the next year. (She later changed her name to Barra.) Ms. Myerson began studying for a master’s degree in music at Columbia University but dropped out when she began working in television.
For eight years, she appeared on a game show called “The Big Payoff,” modeling mink coats and announcing prizes. Meanwhile her marriage deteriorated.
Her husband was plagued by nightmares, fueled by his combat experiences in the Pacific. He became an alcoholic, his business failed and he began beating her. The couple separated in 1956, reconciled for a time, then parted. Ms. Myerson said she was forced to surrender a good part of her savings in return for a divorce and custody of her child.
She soon began her nine-year run on “I’ve Got a Secret.” At the same time, she was raising money for Jewish charities. It was at a dinner for the Anti-Defamation League that she met Arnold M. Grant, an entertainment lawyer with connections to the Democratic Party. He was known for hosting dazzling parties for celebrity friends in his nine-room triplex on Sutton Place. They married in 1962. The next day, Mr. Wayne, her first husband, died, and Mr. Grant adopted her daughter.
Theirs, too, was a tempestuous marriage: They separated, then reconciled; parted again when Mr. Grant got a divorce in Mexico, then remarried in 1968 — only to divorce again, with finality, in 1971. Mr. Grant had a mental breakdown and died in 1980.
Ms. Myerson’s tenure as consumer affairs chief under Mayor Lindsay lasted five years, beginning in 1969. Some Lindsay critics initially called her appointment “window dressing.” But she became highly visible in the job, issuing the first city regulation in the nation requiring retailers to post unit prices on a wide variety of products to make comparison shopping easier.
She pushed through consumer-protection laws against deceptive trade practices, chastised restaurants selling hamburgers that were less than 100 percent beef — she called them “shamburgers"— and criticized manufacturers for putting too many peanuts in jars labeled “mixed nuts.”
She recovered millions of dollars for defrauded consumers, published a book about consumer fraud and wrote a column for Redbook magazine. In 1975, after leaving the post, she joined Jacqueline Onassis and other well-known New Yorkers in a successful effort to prevent Grand Central Terminal from falling victim to the wrecking ball. She also, for the first time, considered a run for the Senate, until learning she had ovarian cancer. A year and a half of chemotherapy and radiation treatments ensued.
‘Too Glamorous’ for Senate
Ms. Myerson served three presidents. Lyndon B. Johnson named her to a White House conference on crime and violence, Gerald R. Ford to a board dealing with workplace issues, and Jimmy Carter to commissions on mental health and world hunger.
She was also a consumer consultant to Bristol-Myers and Citibank and made frequent appearances on radio and television, hosting Miss America contests and the Tournament of Roses and the Thanksgiving Day parades. In the early 1970s she hosted a nationally syndicated weekday television news and information program called “What Every Woman Wants to Know.”
After Mr. Koch became mayor, Ms. Myerson was a frequent guest at Gracie Mansion and campaigned for Daniel Patrick Moynihan for the Senate and Hugh L. Carey for governor of New York, both Democrats and both of whom won. In 1980, she entered the Democratic Senate primary in a field that included Mr. Lindsay and Representative Elizabeth Holtzman.
Although Ms. Myerson wore dark business suits and little makeup to play down her Miss America image, “voters saw her as being too glamorous,” said Mr. Garth, who ran her campaign. In one debate she was asked whether, as a former Miss America, she expected voters to take her candidacy seriously. “I have 35 years of public service,” she replied.
She lost to Ms. Holtzman, who was then defeated in the general election by Alfonse M. D’Amato, a Long Island official who had upset the incumbent senator, Jacob K. Javits, in the Republican primary.
The next year, Ms. Myerson was in the hospital again, this time with a brain aneurysm.
Fully recovered by 1983, she was chosen by Mayor Koch to be commissioner of the Department of Cultural Affairs.
The ‘Bess Mess’
Ms. Myerson’s downfall was set in motion during her 1980 campaign, when she met Carl A. Capasso, who was known as Andy, a wealthy, married sewer contractor 21 years her junior. He had volunteered to help her raise funds and clear her debts. By the time she was named cultural commissioner, they were having an affair.
That spring, Mr. Capasso’s wife, Nancy, took him to Family Court and made public the affair, saying he had beaten her when she confronted him about it. The news coverage of their divorce proceedings blemished Ms. Myerson’s reputation.
The “Bess Mess,” as the tabloids called it, grew messier when it was found that the presiding justice in the divorce trial, Hortense W. Gabel of State Supreme Court, and her daughter, Sukhreet Gabel, had begun seeing Ms. Myerson socially. Sukhreet Gabel had had difficulty finding work despite her many academic credentials and had undergone shock therapy for clinical depression.
Justice Gabel soon ruled in favor of Mr. Capasso in reducing Ms. Capasso’s weekly support payments — from $1,500 to $500, according to trial testimony — and Sukhreet Gabel was made an assistant to Ms. Myerson in the Department of Cultural Affairs. Prosecutors began looking into whether the judge had been bribed.
In a separate matter, in 1987, Mr. Capasso pleaded guilty to federal income tax evasion and went to prison for two years. Meanwhile, Rudolph W. Giuliani, the United States attorney in Manhattan at the time, was investigating a $53.6 million sewage contract that Mr. Capasso had obtained in 1983, not long after Ms. Myerson became cultural affairs commissioner. His companies received $150 million in city contracts from 1978 to 1987.
Ms. Myerson was called before a grand jury and, without advising city officials in advance, invoked the Fifth Amendment. Mayor Koch ordered an investigation, which assailed her for “serious misconduct.” She was forced to resign in April 1987.
Mr. Giuliani’s office soon indicted Ms. Myerson, Justice Gabel (who had been forced off the bench) and Mr. Capasso in connection with the divorce case. Ms. Myerson was accused of conspiracy, mail fraud, obstruction of justice and using interstate facilities to violate state bribery laws.
The central issue was whether Justice Gabel had received a bribe from Ms. Myerson in the form of a job for the judge’s daughter. The hiring, the prosecutors said, was an inducement to lower Mr. Capasso’s weekly support payments. The chief witness against the defendants, including her mother, was Sukhreet Gabel, who detailed how Ms. Myerson had hired her after they met at Justice Gabel’s home.
The trial, in 1988, was a font of vivid stories of family strife and political intrigue. But when it was over, the jury acquitted all three defendants of all charges. The jurors said they had difficulty believing Ms. Gabel.
Justice Gabel died in 1990. Mr. Capasso was returned to prison and released in 1989, his relationship with Ms. Myerson having ended. He died of pancreatic cancer in 2001 at 55.
The Capasso revelations opened the door to further scrutiny of Ms. Myerson’s personal life. It was revealed that while she was running for the Senate, she was romantically involved with a financial investor. A New York City police report said she had displayed obsessive behavior, making numerous anonymous telephone calls and sending abusive letters to the man, the woman he married and their friends and relatives. There were shoplifting charges in Pennsylvania and London.
A Fight to Be Taken Seriously
After her acquittal in the bribery case she retired to a quiet private life, remaining mostly out of public view and devoting herself to charities. In one instance she pledged $1.1 million to the building of the Museum of Jewish Heritage: A Living Memorial to the Holocaust, in Battery Park City.
She is survived by her daughter. Complete information on her survivors was not available.
Ms. Myerson had expressed ambivalence about her life as she was living it. In her 1990 book, “Queen Bess: An Unauthorized Biography of Bess Myerson,” the journalist Jennifer Preston, who covered the trial for Newsday and later worked for The New York Times, recounted a moment during the “Bess Mess” when Ms. Myerson turned to a wealthy Jewish man at a dinner party and said, “I should have married someone like you at 24 and moved to Scarsdale.”
Ms. Myerson spoke of her fight to be taken seriously as an intelligent, educated woman and bristled at being stamped indelibly as “a former Miss America.” In 1995, she pointedly stayed away from the pageant’s 75th anniversary celebration in Atlantic City.
“People asked me, ‘Are you going to the pageant?’ ” Ms. Myerson told The Times. “And I said: ‘Are you kidding?’ It’s totally irrelevant.”
Yet in 1980, asked if she would compete for the Miss America title if she had her life to live over again, she replied: “Being the same girl from the Bronx that I was then? Having a great desire to be a concert pianist and not having the money to buy a big black Steinway piano? I sure would.”
But would she let her daughter do it, she asked herself rhetorically. “No!” she said. “I’ve got the money to buy her a piano.”

Monday, January 5, 2015

A00082 - Luise Rainer, Won Back-to-Back Best Actress Oscars

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Luise Rainer as Anna Held with William Powell as Florenz Ziegfeld Jr. in the 1936 film “The Great Ziegfeld.”CreditMGM, via Photofest
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Luise Rainer, who left Nazi Germany for Hollywood and soared to fame in the 1930s as the first star to win back-to-back Oscars, then quit films at the peak of her career for occasional stage work and roles as a wife, mother and mountain climber, died on Tuesday at her home in London. She was 104.
Her daughter, Francesca Knittel Bowyer, said the cause was pneumonia.
Ms. Rainer was a child of middle-class Jews in Düsseldorf and Hamburg during World War I and came of age in a new Germany of depression, starvation and revolution. Under Max Reinhardt’s direction, she became a young stage and film star in Vienna and Berlin, performing Pirandello and Shaw. She watched the Reichstag burn in 1933 and heard Hitler on the radio. In 1934 an MGM scout signed her to a contract.
She sailed to America on the Île de France in 1935, a 5-foot-3 ingénue, rail thin, with dark hair and a sweet girlish smile, too innocent for celebrity. But it seemed everyone on board knew who she was. On her 25th birthday, the stewards arranged a celebration in the saloon, and she was serenaded by the Russian operatic bass Feodor Chaliapin and the great violinist Mischa Elman.
She landed in America, a stranger with a guttural Mittel-European accent that had to be subdued. But two years later, Ms. Rainer (pronounced RYE-ner) won her first Academy Award, as the best actress of 1936, for her portrayal of Anna Held, the actress, singer and scorned common-law wife of the showman Florenz Ziegfeld, in MGM’s lavish musical production “The Great Ziegfeld.”
Her part, paradoxically, was small. Critics said that a single take — perhaps the most famous telephone scene in film history — captured the Oscar. In it, the heartbroken Anna, smiling through tears and struggling for composure, congratulates Ziegfeld on his marriage to Billie Burke. She hangs up at last and dissolves in sobs. It is a moving, poignant tour de force, and the brutal camera does not look away.
A year later, Ms. Rainer won her second best actress Oscar for the role of O-Lan, the stoical peasant wife in “The Good Earth,” with Paul Muni as her husband, Wang Lung. Adapted from the Pearl S. Buck novel and produced by a dying Irving G. Thalberg, the movie called on Ms. Rainer for another dimension, an all-but-mute yet shattering performance that conveyed the suffering and endurance of China’s millions.
Her second Oscar stunned Hollywood. Greta Garbo, MGM’s leading actress, had been favored for her performance in the title role of “Camille.” For Ms. Rainer, it meant fame and a place in history: the first person to win the top acting award in consecutive years, a feat that would be matched only by Spencer Tracy, Katharine Hepburn, and Tom Hanks.
She seemed to stand on the threshold of greatness. Even her rivals like Carole Lombard, Norma Shearer and Myrna Loy thought so. So did an adoring public. But behind the scenery, Ms. Rainer was deeply unhappy. Her marriage to the volatile playwright Clifford Odets in 1937 was failing, headed for divorce in 1940. (He was absurdly jealous of Albert Einstein, who had been smitten by Ms. Rainer.)
And her career soon went into free fall. She came to regard her Oscars as a curse, raising impossibly high expectations. She made five more pictures for MGM over the next couple of years, but many critics and Ms. Ranier herself called them inferior and a waste of her talents. She said that Louis B. Mayer, the autocratic head of MGM, scoffed at her pleas for serious roles in films of significance.
Beyond unhappiness with her work, Ms. Rainer came to regard Hollywood itself as dysfunctional — intellectually shallow, absurdly materialistic and politically naïve, particularly in what she called its apathy toward the rise of fascism in Europe and Asia, and labor unrest and poverty in Depression America.
She walked out on Mayer, and her contract was torn up. She was not yet 30, and her meteoric career was all but over. She returned to Europe, studied medicine, aided orphaned refugees of the Spanish Civil War, appeared at war bond rallies in the United States and entertained Allied troops in North Africa and Italy during World War II. She also made one wartime film, “Hostages” (1943), for Paramount.
During the next three decades she appeared in a handful of plays on Broadway and in London, and took occasional roles on television. Federico Fellini enticed her into the cast of his Oscar-winning classic “La Dolce Vita” (1960), but she quit before shooting began, objecting to a sex scene with Marcello Mastroianni that was later cut from the script.
She made one more film, playing a Russian dowager with a craving for roulette in a 1997 British adaptation of Dostoyevsky’s novel “The Gambler.” She also appeared at Academy Awards ceremonies in 1998 and 2003 as Hollywood paid tribute to past Oscar winners.
Her activities made small headlines: the once-famous actress, reduced to this or that. But there was an alternate life playing out in the wings for Ms. Rainer. In the summer of 1945 she married a wealthy New York publisher, Robert Knittel. They had a daughter, Francesca, a year later. They lived in London for decades, and in Geneva.
In addition to her daughter, she is survived by two granddaughters and two great-grandchildren.
The couple loved travel, books, plays, music — their friends included Arturo Toscanini, Marian Anderson, Thomas Mann and Bertolt Brecht — and especially climbing in the Alps. “He was a mountain climber, and he taught me how to climb,” she recalled years after her husband’s death in 1989. “Robert went with a fiddle up to the Matterhorn, and at the top of the Matterhorn he played a Bach sonata.”
Luise Rainer was born in Düsseldorf on Jan. 12, 1910, to Heinrich and Emilie Königsberger Rainer. Her father was a businessman and her mother a pianist from a cultured family. Luise became an actress at 16, discovered by Reinhardt at an audition, and joined his Vienna company. Starting in 1928, she appeared in many plays in Vienna and Berlin.
In 1935 she appeared in her first American picture, “Escapade,” with William Powell. After her Oscar triumphs, she was cast in five less memorable MGM films: “The Emperor’s Candlesticks” and “Big City” in 1937 and “The Toy Wife,” “The Great Waltz” and “Dramatic School” in 1938. Then her star faded.
More than seven decades later, as she celebrated her centenary in 2010, Ms. Rainer, in an interview with The Scotsman, looked back on Hollywood’s golden era with a hint of revenge.
“I was one of the horses of the Louis B. Mayer stable, and I thought the films I was given after my Academy Awards were not worthy,” she said. “I couldn’t stand it anymore. Like a fire, it went to Louis B. Mayer, and I was called to him. He said, ‘We made you, and we are going to kill you.’
“And I said: ‘Mr. Mayer, you did not make me. God made me. I am now in my 20s. You are an old man,’ which of course was an insult. ‘By the time I am 40 you will be dead.’ ”
She was not quite right. She was 47 when he died. But she outlived him by more than a half-century.